Monthly Archives: March 2008

Stupid is…..just stupid.

When I worked at the policed department in police records, I used to play a game as I transcribed the writings of various cops. It was called ‘Spot the Stupid Person’. I have this theory that in every crime there is at least one stupid person. Whether it’s the bank robber who wrote a note on the back of his own deposit slip or the teenage runaway who gets in a stranger’s van, there’s always at least one stupid act involved. 

So last night I watched most of a movie called Alpha Dog. It was on cable and my wife wanted to see it because it has Justin Timberlake in it. There was a black hole of nothing on television last night so there it was. The vast majority of the movie had a bunch of teenage and twenty-something drug dealers, drug users, and gangsta wannabes posturing about how tough or cool they were. One guy owes another guy money and so they kidnap his little brother, but it’s never a plan. They don’t ever say, ‘Okay this is what we’re going to do.’ Instead it just sort of happens. And not all of the wannabes like this idea but they go along with it because…..um….well…they are stupid. 

Usually in any given crime drama I can play a variation of ‘spot the stupid person’, but the problem with Alpha Dog is that there wasn’t one stupid person. They were all stupid. It was amazing in that there wasn’t one smart character in the entire movie. I’m not talking about people who make bad decisions based on a lack of intelligence. I mean the sort of dumbasses that always took the fun out of a good party. These were always the guys who’d start fights for no reason or start smoking pot in the front yard as a cop drove by. And they’re exactly the sort of people that I simply don’t have the time or energy to endure any more than I have to. So I got up and went to another room but before I did, I said, “I bet the Elvis character kills the kid”. (When the movie was over my wife told me I was right.) 

Now I’m sure there are people who might say that this movie had a predictable plot with stupid characters because it was based on a true story about some stupid people who did predictably stupid things, but that doesn’t excuse it. Just because something really happened doesn’t mean it’s automatically a good story. (If it did, then James Frey might have told the truth when he wrote A Million Little Pieces.) The fact of the matter is stupid characters ruin a good story. 

Forrest Gump was not stupid. He was simple. Simple can be charming. Simple can be entertaining. Rain Man was simple. Stupid characters make for bad storytelling for a number of reasons. Both Gump and Rain Man have a logic to their thoughts. Stupid people don’t. Stupid is just stupid. There’s this idea that in order to care about the characters in a story you have to redeem them in some way. This isn’t true though. You can’t just have ‘bad people doing bad things’. This isn’t true though. What you need to do is explain their intelligence. It’s okay if they aren’t brilliant. It’s not okay if they’re just stupid.  

Think of your favorite movie. Who is your favorite character in that movie? I’m willing to bet it’s a character with at least a little smarts.

-Jack

Dreams Vs. Goals

        I’ve been telling stories since I was in third grade. I’ve never had any doubts that I would always write. There were times I thought I’d be a best-selling novelist or a fabulously wealthy screenwriter. I may yet be. But what I noticed was that as soon as I stopped pursuing dreams and started pursuing goals, I finally started to get somewhere.

One of the most important things you can learn about writing is that you must finish. It doesn’t really matter how good the story is. If it’s unfinished, no one really cares. So it’s an important thing to know. Remember, an unfinished masterpiece isn’t better than a finished piece of shit.

      Another important thing to know is when to abandon a story. Have you ever seen a movie where you thought how on earth with all the money and people involved, did no one stand up and say, “Hey, this is a shitty, shitty movie!”? (If not, go see Pitch Black.) This is why I think it’s important to know when a story should be abandoned. It’s difficult. And sometimes it’s better to just finish it to get it out of the way. I have a screenplay like that. It’s about two pedophiles and a female Hispanic cop. One of the pedophiles is the ‘hero’ of the piece. It is not filmable. And I know that. I knew that as soon as I realized one of the pedophiles was a ‘good’ guy. But I wrote it to get it out of my head and now it’s gone. Well, except now you know about it.

      Let’s get back to dreams vs. goals. When I was younger, I dreamed of being a successful writer. When I was a kid, I read a book by comic book writer, Chris Claremont and in the beginning he wrote “Special Thanks to the Jamaica Bay Yacht Club for letting me use their fax machine.” That was the first time I remember actually thinking it’d be nice to be a writer for my job.

      What sort of writer? Well, that’s where it gets difficult. I didn’t really want to be a journalist. Journalists had to cover stories. They couldn’t just write whatever they felt like and they had rules and editors and bosses. As a young man, the concept of a boss bothered me and the concept of a boss of my writing sounded to me a lot like someone telling me how to have sex. I wanted to write what I wanted to write and that was it. I would write my incredible truths and people would just have to accept that and worship me. That was it.

      I found that I was good at emulating people. If I spent a few hours reading a particular writer, I could write something that sounded like them. Eventually I got to the point where I’d read multiple writers directly before sitting down to write and the result would be this Kerouac, Hunter Thompson, Mark Twain mash up that was barely coherent.

     I took creative writing classes and they were always talking about ‘finding your voice’. And I did and I do. It’s something that constantly changes. The one thing that seems to stay the same is I write fast. There are rarely extra sentences or extra words. I found that a story that another writer might write in 7,000 words I’d write in 2,500. This is mainly because I never really cared what color the wall was, I cared about what. Would. Happen. Next. So I didn’t have time to describe to you the blue flower print dress she got from Aunt Mable when she was sixteen. I’d just say, ‘She took off her dress.’ At first this might seem like a good thing, but in some ways it’s not.

      Ruin Your Life is 43,000 words or so. That’s short for a book, but inside it talks about fights, drugs, sex, marriage, kids, lying, cops, teenage sex, and a bunch of other stuff. It’s a very dense read.  It’s fun. And it’s not difficult or anything, but a lot happens in 240 pages and it took me a long time to come up with enough stuff to make it a full book. I’m glad I did. I’m proud of it. But my writing style made it hard for me to complete it.

And again, I’ve strayed away from the whole dreams/goals thing. Let’s try one more time. I suppose what it comes down to is that dreams are often not specific whereas a goal usually is. I’d like to be a successful writer. That’s a dream. I’d like to write a novel in the next year. That’s a goal. That’s something that’s measurable and real. Being a successful writer depends on the definition of each of those terms. I know a guy who writes for a newspaper. He makes his living writing, but he writes what his editor tells him to write and I swear to God he has no imagination whatsoever. I wouldn’t call him a successful writer because what he does isn’t real writing. I know another guy who has written some of the best short stories I’ve ever read, but he’s only shown them to a few close friends because he’s afraid of people stealing his work. He’s a far better writer than my other friend, but since he can count his readers on one hand, I’d have to say he’s not successful. A lot of people might say having written and published a book, I am a successful writer and maybe that’s true. I don’t know. I haven’t cracked open the bottle of wine I bought years ago for when I ‘make it’.

      So yes, in the next year I will write a novel. That’s the goal for this year. Last year was Ruin Your Life and I still intend to promote the hell out of that, but I’m also going to work on the novel. Wish me luck.
-Jack

The Next Thing.

I am convinced that my greatest masterpieces have been destroyed by the backspace button. I will write and rewrite and rewrite using my backspace button to obliterate a sentence just because I don’t know what the next sentence is. I’m good with storytelling. I understand character and structure on a level that no one else I know can even understand. The problem is where to start. As painter Jackson Pollack said, “I must apply the first stroke of paint. After that, I insist that the canvas do at least half of the work.” It’s that first stroke that’s the bitch of the bunch. 

So I have a story I want to tell, but I don’t know if it’s one story or three stories or both. I don’t know. I’m good with a lot of things, but really I’m guessing my ass off on all of it. It’s a lot like life. You have information and you use that information to make the best choice possible. There are a handful of rules. All of which can be broken. One of the more important ones is that an audience will forgive a bad beginning but never a bad ending. Another is that when in doubt, you can take your character and put him/her in the last place that character wants to be and the story will tell itself.  

Anyway, my problem right now is that I can’t see my way into the next project I want to work on. And there’s still this part of me wondering if I should avoid another project until I get Ruin Your Life to a better and more profitable spot. Or maybe I should work on getting one of my screenplays made into a movie. But as always, the next idea keeps itching at me.  I don’t know what to do. I’m somewhat used to that feeling. It used to be that I when I didn’t know what to do, I would do the ‘bad thing’. Because it is always easy to see what the mistake would be. What you should not do is always right in front of your face.

This is why I wrote Ruin Your Life. I figured I might as well write it all down if I was going to make the big mistakes.  And now, where am I? I’m exactly where I probably should have been ten years ago if I didn’t have this nasty habit of totally fucking up my life. I love where my life is right now. It’s truly amazing. A great wife, a good job, and I’ve published a book. Not bad.  

I’m 33. I don’t know what the next step is, but I know another step needs to be made. And I can see the wrong step right in front of me. I can see exactly what would be the bad choice, but I can’t do that because I actually don’t want to lose what I have. Maybe I’ve finally grown up. I don’t know.

-Jack

Big Changes at jackcameron.com

Over the next few days, I’ll be making some significant changes to the site. This main page will be less Ruin Your Life-centric. Instead there will be all new original content here.

Don’t worry though, Ruin Your Life will still be available through the Ruin Your Life tab above. You can read the entire book online for free, download the .pdf for free, or buy the book.

Since I’m now working on other projects, I want this site to reflect that.

In the words of Bob Dylan, “Things should start to get interesting right about now.”

-Jack